A short essay for my Film Theory and Criticism Class Filmmaker Zbigniew Rybczyński presents his critically acclaimed 1981 Polish short film “Tango” as a rhythmic play set in a stage that gradually progresses. It begins with a vaguely minimalist room where there are three points of entrance and exit: two doors and a window. These points become the gateways of a plethora of characters that initially starts with easily recognizable parts until each one’s repetitive acts create layer after layer of
Academe/Education
Film Theorists: Hugo Munsterberg
Film Theorists: Sergei Eisenstein
Our Rom-com Short Film ‘Pag-ibig sa Panahon ng Coronavirus’ (Love in the Time of the Coronavirus)
romantic comedy, 11 mins., 2020 IMDb Link: https://www.imdb.com/title/tt11997792 During the first month of the coronavirus outbreak when people around the campus start the semester wearing face masks, a paranoid guy who takes extra care of himself with frequent handwashing tries to rekindle an old flame upon meeting his teen crush who is currently recovering from flu. A long-take film for a grad school directing class, shot using an iPhone with FiLMiCPRO app. Actors: Fred Layno and Kathleen MackDirector: Rianne Hill SorianoScriptwriter: John Clifford
Jumpstarting my Trilogy of Technology Shorts: TechNOphilia and Malikmata (Phantasma)
Thanks to graduate studies, I was finally able to jumpstart my trilogy of technology shorts. We just completed the second film 11 years after the first one and currently working on the third one, which is intended to be completed by May 2020. Hopefully, we all get through the COVID-19 pandemic very soon so we can all go back to our daily grind. Top: First shot and last shot of "Malikmata" (English title: "Phantasma"), 2020;Bottom: First shot and last shot of
(Omnibus Paper) Media and information literacy in 10 films and TV shows
An omnibus paper for my Media Information and Literacy class identifying how media literacy was applied on each of the viewed audio-visual material (how each concept/principle/proposition of media literacy was illustrated in each assigned film/TV show) 1. “Beauty in a Bottle” This 2014 satirical comedy by Antoinette Jadaone follows the story of three different women with a common struggle relating to their physical insecurities. Their lives intertwine somehow through the craze for a new beauty product as one of them works
(Reflection Paper) Story + Vision → Storytelling
Reflection Paper on "Gasman" and "The Rats" from "Wild Tales" for My Advanced Directing Class In a film, every story and vision should lead to a suitable storytelling. A material given to a filmmaker evolves based on the specific vision developed alongside it, which means a single material distributed for production to different directors and production teams would always end up as different films. This magic in the collaborative process of filmmaking allows the exploration of various themes, styles, and depictions,
(Response Paper) David Bordwell: The Blurred Line Separating Art Cinema with Classical Hollywood Cinema
In response to: The David Bordwell essay “The Art Cinema as a Mode of Film Practice” from the journal “Film Criticism” A response paper for my Advanced Film Theory and Criticism class In the essay “The Art Cinema as a Mode of Film Practice,” American film theorist and film historian David Bordwell primarily discussed how art cinema can be considered as a distinct mode of film practice by comparing it to classical narrative cinema (which can be traced to studio feature filmmaking in Hollywood since
(Response Paper) Laura Mulvey: The Women as Element of Spectacle in the Patriarchal Order
In response to: The Laura Mulvey essay “Visual Pleasure and Narrative Cinema” from the journal “Screen” A response paper for my Advanced Film Theory and Criticism class In the essay “Visual Pleasure and Narrative Cinema,” feminist film theorist Laura Mulvey objectively examined the roots of woman’s oppression in cinema using the socially established interpretation of sexual difference which controls images, including the erotic ways of looking at spectacle, as applied in films. She looked into the language of patriarchy using the tools provided by psychoanalysis, offering
(Response Paper) Elizabeth Spelman: Centuries of a Woman’s Body as a Gift and as a Curse
In response to: The Elizabeth Spelman essay “Woman as Body: Ancient Contemporary Views” from the journal “Feminist Studies” A response paper for my Advanced Film Theory and Criticism class I find philosopher Elizabeth Spelman’s “Woman as Body: Ancient Contemporary Views” as an eye-opening essay. It helped me better understand the oppression of women through the centuries, while making me realize the importance of really knowing iconic figures in history more than the popular accounts about them. This becomes of extreme importance in the case of