This is a response paper to the chapter entitled “Some Points in the Semiotics of the Cinema” from the book “Film Language: A Semiotics of the Cinema” by Christian Metz for my Advanced Film Theory and Criticism class.
This is a response paper to the Andrew Sarris essay “Notes on the Auteur Theory in 1962” from the book “Film Theory and Criticism: Introductory Readings” by Leo Braudy and Marshall Cohen for my Advanced Film Theory and Criticism class.
This is a response paper to the Alexandre Astruc essay “The Birth of a New Avant-garde: La Caméra-Stylo” from the article originally printed in “L’Écran française” as “Du Stylo à la caméra et de la caméra au stylo” for my Advanced Film Theory and Criticism class.
On Mother’s Day 2019, I read an LA Times article shared via social media and it sums up the struggle of women, whether with our without children, have to contend with as members of the filmmaking workforce.
My first independent short film in 10 years is an experimental film for grad school. This is going to be my most personal film to date and it feels great to work on something new (aside from going back to my roots) after working on mostly branded shorts during my indie hiatus.