A short essay for my Film Theory and Criticism Class Filmmaker Zbigniew Rybczyński presents his critically acclaimed 1981 Polish short film “Tango” as a rhythmic play set in a stage that gradually progresses. It begins with a vaguely minimalist room where there are three points of entrance and exit: two doors and a window. These points become the gateways of a plethora of characters that initially starts with easily recognizable parts until each one’s repetitive acts create layer after layer of