My first independent short film in 10 years is an experimental film for grad school. This is going to be my most personal film to date and it feels great to work on something new (aside from going back to my roots) after working on mostly branded shorts during my indie hiatus.
This term’s Filmmaker Focus in Forum (FFF) is entitled “One Shot: A Forum on Shooting Your First Feature Film” featuring Pepe Diokno and his first feature, the Cinemalaya film “Engkwentro.”
Indeed, Mr. Eric de Guia whom we dearly love as Kidlat Tahimik Jr. (because he said his son is the Sr.), lives up to the name he is best known for — two somehow contrasting but very powerful Filipino words rolled into one to create an even more powerful energy for its bearer.
This event entitled “CinePHlix,” features a Q&A with the filmmakers and a film forum about “the blurring line between cinema and television and the rise of online distribution.”
In celebration of the 100 years of Philippine Cinema, Filipino film workers organized the “Sandaan: Philippine Cinema Centennial Conference” at the University of the Philippines Film Institute (UPFI) and De La Salle-College of Saint Benilde (BenildeFilm) this September 2017.
This free event entitled “It’s More Fun in the PhiliFILMS” is open to the public. It kicks off with the screening of Ice Idanan’s critically acclaimed CineFilipino film “Sakaling Hindi Makarating,” followed by a forum on film tourism.
I couldn’t agree more when someone said that more woman filmmakers should be included in the syllabi of academicians, whether in major subjects of film students or any related media subjects and electives, especially those of mass communication and communication arts students. Academic papers, journals, books, and even blogs and vlogs that are easily accessible by everyone, should be able to find many female names to feature.
"Ang Larawan, The Movie" is a film for Filipinos — something to treasure for its artistic and cultural initiative of pioneering the musical film adapted from the work of an acclaimed Filipino literary artist, no less than a National Artist at that.
Kudos to all those behind this ambitious cinematic endeavor, as the film, with both its strengths and forgiveable shortcomings, reflects the love and passion of the people who worked on it from start to end.
This period piece may not be your usual Hollywood flair full of superhero characters, cool stunts, and uber awesome special effects, but it is worth
May the accomplishment made by the MMFF 2016 continue to influence the Philippines’ future commercial offerings. I believe the Filipino audience is now ready for this #reelvolution.
Rianne Hill Soriano Demo Reel: 3-minute showreel with selected directorial project clips from both my commercial works and independent films.