From Arthur Golden's international bestseller to an epic spectacle in the big screen, "Memoirs of a Geisha" offers a romantic portrait of Japanese culture, particularly of geisha life, with a western illustration. This tale retells the looming view of women in many cultures of the past. Women have been portrayed in various cultures as nothing more than delights to the men's eyes and as parts of their desire for asset and power. Issues can be raised in a story such as
Women
‘Domino’ Movie Review: Acid trip with a Bounty Hunter
Keira Knightley is the socialite-turned-bounty hunter Domino Harvey in this Tony Scott movie. The life experiences of Domino Harvey taught her not to invest too much emotion on any certain thing — but she couldn't get away with it. Similarly, director Tony Scott seems to have invested too much in creating visual flair for “Domino,” making it too loud and exaggerated beyond measure. Oozing with tomboy spunkiness, Keira Knightley plays the character of the late Domino Harvey, the daughter of British actor Laurence Harvey.
Pinay at Pelikula: A Webinar on the Roles of Women in Shaping Philippine Cinema Through the Decades
Filmmaker in Focus (FFF) presents filmmaker/educator Sari Lluch Dalena and film executive/producer Madonna Tarrayo with special guest scriptwriter Ricky Lee This free and open-to-the-public webinar is an advocacy project spearheaded of my FLMKSAY (History of Philippine Cinema) class at the De La Salle-College of Saint Benilde, School of Design and Arts. https://youtu.be/S_4aBdq5cBk
(Media Review) The Accidental Catalyst: Examining Pressreader-aggregated Articles on How Disney’s Mulan Sparked Media Campaigns Addressing the Plight of Uighur Muslims
A media review for my Media Theory class analyzing the increased Uighur Muslims coverage after the release of the Disney live-action film "Mulan" After the straight-to-streaming release of Disney’s Mulan in the Disney+ platform in the U.S. and other selected countries on Sept. 4, 2020 (‘Mulan (2020)’ [IMDb], n.d.), this live-action adaptation of the Chinese legend came under fire after viewers discovered the acknowledgment of the government security agency in the Chinese province of Xinjiang in the film’s closing credits. Xinjiang authorities are accused of the
(Essay) Empowerment of Filipina Filmmakers Towards the Digital Revolution: From Silent Dominance to Breaking the Glass Ceiling?
An essay for my Media Theory class on the empowerment of Filipina filmmakers towards the Digital Revolution Digital filmmaking brought about a number of significant changes in both the artistic and business aspects of filmmaking. This coincides with the sustained increase in the number of Pinay filmmakers making their marks locally and internationally by the time of the digital revolution. In significantly making film production less expensive compared to producing films in celluloid, the digital revolution democratized the filmmaking process (Hernandez, 2014) –
(Response Paper) Laura Mulvey: The Women as Element of Spectacle in the Patriarchal Order
In response to: The Laura Mulvey essay “Visual Pleasure and Narrative Cinema” from the journal “Screen” A response paper for my Advanced Film Theory and Criticism class In the essay “Visual Pleasure and Narrative Cinema,” feminist film theorist Laura Mulvey objectively examined the roots of woman’s oppression in cinema using the socially established interpretation of sexual difference which controls images, including the erotic ways of looking at spectacle, as applied in films. She looked into the language of patriarchy using the tools provided by psychoanalysis, offering
(Response Paper) Elizabeth Spelman: Centuries of a Woman’s Body as a Gift and as a Curse
In response to: The Elizabeth Spelman essay “Woman as Body: Ancient Contemporary Views” from the journal “Feminist Studies” A response paper for my Advanced Film Theory and Criticism class I find philosopher Elizabeth Spelman’s “Woman as Body: Ancient Contemporary Views” as an eye-opening essay. It helped me better understand the oppression of women through the centuries, while making me realize the importance of really knowing iconic figures in history more than the popular accounts about them. This becomes of extreme importance in the case of
An Epiphany: Philippine cinema’s powerful Pinays + more female presence in film studies, books, and academic endeavors
I remember a press screening I attended, then film critic friend Philbert Ortiz-Dy made me realize one very interesting, one very important thing. It was a 360-degree turn on my impression of how women are in Philippine cinema and other media professions. Phil agreed on how gender equality should seriously be addressed in the U.S. Woman filmmakers and film workers, even the most famous actresses included, don't get equal treatment in Hollywood from opportunities to talent fees. Then, he told me that
Movies for Mother’s Day: Musicals with memorable mom characters
While it is expected that movies for Mother's Day should primarily feature likeable mom characters and stories about a mother's love, going a little more festive and distinct can actually add a more special appeal to the celebration. Choosing fun or heartwarming musicals for a Mother's Day movie marathon or for a movie night to cap off a pleasing family day can make the occasion even more vibrant, touching, and memorable. With the many ways to celebrate Mothers' Day from fine
Film Forum Invitation: ‘It’s More Fun in the PhiliFILMS’ with screening of ‘Sakaling Di Makarating’
We are inviting all film and tourism professionals, film students and film enthusiasts to our forum on film tourism this coming Monday, July 24, 2017, 1 p.m., at the SDA Cinema, School of Design and Arts (SDA) Building, De La Salle-College of Saint Benilde, along P. Ocampo Street in Malate, Manila. This free event entitled "It's More Fun in the PhiliFILMS" is open to the public. Guest speakers are filmmaker Ice Idanan and Film Development Council of the Philippines (FDCP) chairperson