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Our ‘Bernardo Carpio’ Short Film Project Takes a Step Forward

This project is a jumpstart to that same endeavor that began almost a decade ago, which had to be shelved due to documentary issues in processing and releasing the second tranche of the budget from the funding agency. We knew that there will always be a right time for this, and after proposing to the National Commission for Culture and the Arts (NCCA) in the last quarter of 2019, we received the good news by February 2020 that we got

Our Rom-com Short Film ‘Pag-ibig sa Panahon ng Coronavirus’ (Love in the Time of the Coronavirus)

romantic comedy, 11 mins., 2020 IMDb Link: During the first month of the coronavirus outbreak when people around the campus start the semester wearing face masks, a paranoid guy who takes extra care of himself with frequent handwashing tries to rekindle an old flame upon meeting his teen crush who is currently recovering from flu. A long-take film for a grad school directing class, shot using an iPhone with FiLMiCPRO app. Actors: Fred Layno and Kathleen MackDirector: Rianne Hill SorianoScriptwriter: John Clifford

Filmmakers and Film Criticism Video Essay Transcript

Video Essay Transcript for My Students For this film theory and criticism course, some of you may not find this very appealing, especially if you are more of a production person and not someone who would prefer spending more time in reading books about film theories and criticism and engage in intellectual discourse relating films watched with assigned readings. But think of this way, being filmmakers, knowing film’s roots, how it develops and how it manages to survive and thrive through

Post-analog Filmmaking: Tips in using digital camera for documentary filmmaking

Shooting documentaries is becoming a more accessible endeavor to both professional and amateur filmmakers. The history of cinema continues to write itself as the art of motion picture develops further. The definition of a digital camer has evolved through the years. From the late 1990's to the early 2000's, it used to pertain to Digital8, Hi8, and MiniDV cameras (as compared to the obsolete Video8 cameras before them), which were all tape-based camera equipment producing standard definition (SD) videos. A few

Bernardo Carpio Short Animated Film Call for Character Design

Sharing this from my fellow artists from Tuldok Animation Studios. This is our short film adaptation of the Bernardo Carpio story. We never thought that jumpstarting this animated short would have this personal impact to us involved in the project, given the entire world is currently at a halt. Suddenly, we realized how the lockdown and this story have something in common... The Bernardo Carpio Film Call for Character Design First, we hope you are coping up well in these trying times. As

Jumpstarting my Trilogy of Technology Shorts: TechNOphilia and Malikmata (Phantasma)

Thanks to graduate studies, I was finally able to jumpstart my trilogy of technology shorts. We just completed the second film 11 years after the first one and currently working on the third one, which is intended to be completed by May 2020. Hopefully, we all get through the COVID-19 pandemic very soon so we can all go back to our daily grind. Top: First shot and last shot of "Malikmata" (English title: "Phantasma"), 2020;Bottom: First shot and last shot of

(Response Paper) Cinema and Ideology with Jean-Luc Comolli and Jean Narboni

In response to: The Jean-Luc Comolli and Jean Narboni essay “Cinema/Ideology/Criticism” from the journal “Screen” A response paper for my Advanced Film Theory and Criticism class This essay entitled “Cinema/Ideology/Criticism” by French writers Jean-Luc Comolli and Jean Narboni started with an introduction of the pioneering French film magazine Cahiers du Cinema, offering a general overview of its objectives, goals, and ideology. It also presented the perennial question “What is film?” and “What is cinema?” – questions that continue to linger around many

(Response Paper) Ideology, Reality, and the Apparatus Film Theory with Jean-Louis Baudry

In response to: The Jean-Louis Baudry essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema” from the Leo Braudy and Marshall Cohen book “Film Theory and Criticism: Introductory Readings” A response paper for my Advanced Film Theory and Criticism class In this essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema,” French psychoanalytic film theorist Jean-Louis Baudry asserted that cinema is, by nature, ideological. This is because films are created to represent reality and the mechanics

(Response Paper) The Evolution of the Contemporary Film: From Reading Classical Narrative and Spectacle Cinema to Defying and Deconstructing Through Counter and Art Cinema

In response to: “Film Form and Narrative” from the book “Introduction to Film Studies” by Alan Rowe and Paul Wells A response paper for my Advanced Film Theory and Criticism class The core of cinema is telling stories. I always believe there is a story behind every work of art. There is a story in painting, music, sculpture, theater, and other forms of art. Each one has its own language. Each one has a different approach to telling a story. In the