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‘Tango’ Short Film Critique: Overlapping Routines as a Collective Ritual

A short essay for my Film Theory and Criticism Class Filmmaker Zbigniew Rybczyński presents his critically acclaimed 1981 Polish short film “Tango” as a rhythmic play set in a stage that gradually progresses. It begins with a vaguely minimalist room where there are three points of entrance and exit: two doors and a window. These points become the gateways of a plethora of characters that initially starts with easily recognizable parts until each one’s repetitive acts create layer after layer of

(Response Paper) The Evolution of Cinema and the Film Language with Alexandre Astruc

In response to: The Alexandre Astruc essay “The Birth of a New Avant-garde: La Caméra-Stylo” from the article originally printed in “L'Écran française” as "Du Stylo à la caméra et de la caméra au stylo"  A response paper for my Advanced Film Theory and Criticism class This 1948 essay by French film critic and film director Alexandre Astruc entitled “The Birth of a New Avant-garde: La Caméra-Stylo” reminded me of the wonders in the evolution of art and technology. It is natural to see

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