"300" rips your heart with death, then redeems it after with glory. This warrior's film breathtakingly fires the soul with valor. Every warrior ready to die for glory would have some wild night. Every citizen advocating freedom would be engaged. For everyone else, it would be an uncompromising experience in the battlefield. More About 300: A Film Buff's Movie Memorabilia Collection Based on the graphic novel by Frank Miller, "300" is a fierce and ferocious screen adaptation. Director Zack
Being a film buff and a film professional, it's not surprising to get movie-related gifts every once in a while. By now, many of my friends already know that I have a collection of movie-branded items and memorabilia, all of which I got as gifts from friends, relatives, and companies. Of course, I treasure all items in my collection. Yet, there's that one gift I received that tops them all. My Favorite Movies It was in 2006 when I saw one
This movie is an interestingly profound and complex story about different relationships: familial, friendly, romantic. "In Her Shoes" features a decently textured narrative about the reconnection of two estranged sisters who have nothing in common but their shoe sizes. Offering enough depth, the story is not just about a simple issue on sibling rivalry made into a rushed script. It becomes more than a show-off of Hollywood stars ramping fashion clothes and blobbing about some insensible girl talks. This chick flick, based on
In response to: “Against Interpretation,” an essay by Susan Sontag A response paper for my Advanced Film Theory and Criticism class The way writer Susan Sontag used the word “interpretation” in this reading prompted me to dig deeper into the application of the word in film criticism and art as a whole. I would say I don’t agree with her when she said that art, especially at this time and age, should not be interpreted. She specifically raised how "commentary about art"
In response to: “Replying to Listeners” in the book "I Lost It at the Movies" by Pauline Kael and the blog post “Trash and Art: Critics on/of Pauline Kael” by Jim Emerson in the RogerEbert.com blog "Scanners with Jim Emerson" A response paper for my Advanced Film Theory and Criticism class Pauline Kael (1919 to 2001), is a household name in American film criticism, as well as a familiar name cited when looking for film books for academic use, as far as
In response to: “What is Criticism? (A Preliminary Dialogue)” and “The Critic as Artist and Vice Versa” in the book “Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth” by A. O. Scott A response paper for my Advanced Film Theory and Criticism class After reading “What is Criticism? (A Preliminary Dialogue)” and “The Critic as Artist and Vice Versa” in the book “Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth,” writer A.O.
In response to: The introduction of the book “Nobody’s Perfect: Writings from the New Yorker” by Anthony Lane A response paper for my Advanced Film Theory and Criticism class The introduction part of Anthony Lane’s book “Nobody’s Perfect: Writings from the New Yorker” was a nurturing read, while reminding me of how movies for spectacle’s sake work like junk food – indulging instead of nourishing. At the same time, in the ages of video games and social media, movies work like many