In response to: The introduction of the book “Nobody’s Perfect: Writings from the New Yorker” by Anthony Lane A response paper for my Advanced Film Theory and Criticism class The introduction part of Anthony Lane’s book “Nobody’s Perfect: Writings from the New Yorker” was a nurturing read, while reminding me of how movies for spectacle’s sake work like junk food – indulging instead of nourishing. At the same time, in the ages of video games and social media, movies work like many
Last March 2018, I finally got some time to fix my 12-year-old website and blog after enduring poor, uncaring web hosting services (I must admit, it’s true — you get what you pay for). Clearly, it took me over a decade to convince myself to invest a little more of my annual budget to get a decent web hosting company that can support someone like me who is an artist and writer with minimal knowledge on web developing, design, and security
"The Wolverine" is a fairly solid standalone offering that redeems itself from the significantly weaker "X-Men" spin-off "X-Men Origins: Wolverine." Somber and restrained, this film presents a refreshing noir reboot for the franchise. Compared to other "X-Men" blockbuster movies, it utilizes a contemplative tone and a deliberately slower pace, while clearly managing to keep the momentum for another brewing sequel. Interestingly, this dark and slow-moving character study doesn't feel much like a summer superhero movie, which isn't actually a bad thing.
This Thai action picture highlights the art of Muay Thai in this Southeast Asian country's contemporary scene. "Ong-Bak" amazes and defies the Hollywood cheats of stunt doubles, using CGI and animation, and working on strings while shooting on chroma to let the characters' actions fly and soar high. This action fare shows the real deal — what a premier martial artist can really do without resorting to any of action cinema's magic tricks. The film presents the centuries-old art of Muay Thai in a contemporary scene. It carries on the