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Bernardo Carpio Komiks: My First Ever Comics is Out!

Thank you so much to the Cultural Center of the Philippines (CCP) for making this possible. This is the first Filipino comics with augmented reality (AR) feature, alongside a mobile app for edutainment purposes. Everything is free to the public. Tuldok produced a special comics release paying homage to the traditional Pinoy komiks entitled Bernardo Carpio Komiks, the Philippines' first comics with augmented reality (AR) in 2023. This comics, AR, and mobile app venture was made possible through the RISE Project under the CCP

Meta and Mundane Encounters with An Exorcist

Transcription at around 10:45 a.m. on a Saturday felt like a breeze until I reached the part of the interview discussing exorcism. Suddenly, I heard weird sounds instead of human voices. Was it a video glitch from the QuickTime Player? Pressing the “stop” button confirmed that the downloaded Zoom recording of the interview with Father Jeffrey Benitez Quintela, the chief exorcist of the Diocese of Antipolo, played something seemingly backmasked like low-pitched garbled words. The sound didn’t sync with the visuals. Since the same

(Webisode) PARKonversations: The Art of the Short Film

https://fb.watch/c3PX8f-eEF/ The month of February is the National Arts Month, under Proclamation No. 683, s. 1991. The celebration aims to conserve, promote, and popularize our historical and cultural heritage and resources, as well as artistic creations. To culminate the celebration, join our PARKonversations webisode entitled “The Art of the Short Film” with Director, Producer, and Writer Rianne Hill Soriano. *Participants who will join the webinar and answer the evaluation form will receive digital certificates. For Zoom participants, kindly register here: https://zoom.us/webinar/register/WN_2DBV3_xIQqWqqA6XqS6xAA

Invitation to a Free Public Master Lecture via Zoom

I am inviting you to my BenildeFilm Talks Masterclass Lecture "Platforms for Content Creators During the Pandemic and Beyond" on March 5, 2021, Friday, 1 to 2:30 p.m. This is sponsored by the Film Department of De La Salle-College of Saint Benilde, School of Design and Arts. Zoom Event Details: Join Zoom Meetinghttps://us02web.zoom.us/j/6838434051?pwd=eVM5dW1qUWQ2ZGwxaHRLUkRJUXEwQT09&fbclid=IwAR3u44eeKfUmu76P5vI1ZK-ZkSgjHggIc09XjjLwYPBobMRjycZ6wIB0pVY#success Meeting ID: 683 843 4051Passcode: JoeyR https://youtu.be/RuY80lMX2BQ This is an EXMOPIC-accredited webinar for BenildeFilm students.Only first 100 Zoom participants will be accommodated, but the livestream will be available at the BenildeFilm Facebook page

(Essay) Empowerment of Filipina Filmmakers Towards the Digital Revolution: From Silent Dominance to Breaking the Glass Ceiling?

An essay for my Media Theory class on the empowerment of Filipina filmmakers towards the Digital Revolution Digital filmmaking brought about a number of significant changes in both the artistic and business aspects of filmmaking. This coincides with the sustained increase in the number of Pinay filmmakers making their marks locally and internationally by the time of the digital revolution. In significantly making film production less expensive compared to producing films in celluloid, the digital revolution democratized the filmmaking process (Hernandez, 2014) –

Worksheet on ‘The Work of Art in the Age of Mechanical Reproduction’ by Walter Benjamin

Worksheet Instruction: Answer the following questions; discuss in two sentences each. A worksheet for my Media Theory class for the lecture on Ideology as Instrumental Rationality and the Walter Benjamin essay "The Work of Art in the Age of Mechanical Reproduction" 1.      Why does aura wither in the age of mechanical reproduction? (p. 21) Aura withers in the age of mechanical reproduction because when an original gets reproduced, “the copies become detached to the domain of tradition.” By making many reproductions of the original, the process leads to

(Reflection Paper) On Jia Tolentino’s ‘What could we do to put an end to the worst of the Internet?’

Reflection Topic: Have your say: "What could we do to put an end to the worst of the internet?" -- Jia Tolentino A reflection paper for my Media Theory class for the lecture on Technology and Culture/Medium Theory and the Jia Tolentino essay “The ‘I’ in the Internet” The worst of the Internet is the by-product of its social and economic evolution in the hands of the capitalists in control of it. It led to platforms governed by advertising and business opportunities, propaganda,

(Reflection Paper) How Herman and Chomsky’s ‘Propaganda Model’ positions the Internet in the time of pandemic

Reflection Topic: How does the “Propaganda Model” position the Internet in relation to social and political change in the time of pandemic? A reflection paper for my Media Theory class for the lecture on Political Economy of Media and the Edward Herman and Noam Chomsky essay "A Propaganda Model" Given the changing nature of capitalism in this age of information and communications technology, the propaganda model has forced existing media systems to integrate with the world wide web and this has clearly fast-tracked

(Essay) The Pleasure in ‘Toys’ and ‘Adventures’: An Analysis of the Branding Successes of ‘Ryan’s World’ and ‘Nas Daily’ Using the Lens of the Culture Industry

An essay for my Media Theory class using the lens of Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" The integration of various media platforms after discovering an oasis for economic surge through the Internet remains consistent with the theory of the culture industry of Max Horkheimer and Theodor Adorno. In The Culture Industry: Enlightenment as Mass Deception, their statement about how culture infects “everything with sameness” (Adorno & Horkheimer, 2012) continues to ring true in the age of the Internet.

Worksheet on ‘The Culture Industry: Enlightenment as Mass Deception’ by Max Horkheimer and Theodor Adorno

Worksheet Instruction: Answer the following questions; discuss in two sentences each. A worksheet for my Media Theory class for the lecture on Ideology as Instrumental Rationality and the Max Horkheimer and Theodor Adorno essay "The Culture Industry: Enlightenment as Mass Deception" 1.      Why is the culture industry an industry? (p. 42) The culture industry is an industry because it works as an amalgam of the different dominating aspects of culture and entertainment in the public sphere with the masses mainly targeted as its consumers. It

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