Releasing some of the images from our animatic for the film "Atin 'to," a short documentary film about the Philippine animation industry from Tuldok Animation Studios.
https://youtu.be/VG2vXrOcC88 Soft launch of Tuldok Animation Studios' RISE Project, a grant from the Cultural Center of the Philippines' Innovation Grants 2021. This project features the two short films Si Bulusan nan si Agingay at Sulayman and the comics with augmented reality component Bernardo Carpio.
I am inviting you to my BenildeFilm Talks Masterclass Lecture "Platforms for Content Creators During the Pandemic and Beyond" on March 5, 2021, Friday, 1 to 2:30 p.m. This is sponsored by the Film Department of De La Salle-College of Saint Benilde, School of Design and Arts. Zoom Event Details: Join Zoom Meetinghttps://us02web.zoom.us/j/6838434051?pwd=eVM5dW1qUWQ2ZGwxaHRLUkRJUXEwQT09&fbclid=IwAR3u44eeKfUmu76P5vI1ZK-ZkSgjHggIc09XjjLwYPBobMRjycZ6wIB0pVY#success Meeting ID: 683 843 4051Passcode: JoeyR https://youtu.be/RuY80lMX2BQ This is an EXMOPIC-accredited webinar for BenildeFilm students.Only first 100 Zoom participants will be accommodated, but the livestream will be available at the BenildeFilm Facebook page
Worksheet Instruction: Answer the following questions; discuss in two sentences each. A worksheet for my Media Theory class for the lecture on Ideology as Instrumental Rationality and the Walter Benjamin essay "The Work of Art in the Age of Mechanical Reproduction" 1. Why does aura wither in the age of mechanical reproduction? (p. 21) Aura withers in the age of mechanical reproduction because when an original gets reproduced, “the copies become detached to the domain of tradition.” By making many reproductions of the original, the process leads to
I recently opened an Anchor account for my FILMARTworks podcast. This initiative came into fruition after working on my online classes for a couple of weeks now. After getting my feet wet on this Spotify-led podcasting platform, I received an email saying they took the liberty of coming up with a video version of the audio I utilized for my podcast trailer. It rendered 3 versions specifically with 3 different aspect ratios. Here is one of them: https://youtu.be/d5e6d1rA6No FILMARTworks Podcast Trailer (wide-screen version) It
Thanks to graduate studies, I was finally able to jumpstart my trilogy of technology shorts. We just completed the second film 11 years after the first one and currently working on the third one, which is intended to be completed by May 2020. Hopefully, we all get through the COVID-19 pandemic very soon so we can all go back to our daily grind. Top: First shot and last shot of "Malikmata" (English title: "Phantasma"), 2020;Bottom: First shot and last shot of
In response to: The Jean-Louis Baudry essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema” from the Leo Braudy and Marshall Cohen book “Film Theory and Criticism: Introductory Readings” A response paper for my Advanced Film Theory and Criticism class In this essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema,” French psychoanalytic film theorist Jean-Louis Baudry asserted that cinema is, by nature, ideological. This is because films are created to represent reality and the mechanics
Midterm paper for my Political Economy of Media class The Philippine media and global media in the Information Age are clearly evolving towards the critical development of the Internet, forcing existing media systems to integrate with the world wide web. Cyberspace has gone a long way since its milestones in the 1990s when a household that could afford Internet service back then primarily used the email platform and chat messaging services as alternative forms of communication, alongside the utilization of search
In response to: The Alexandre Astruc essay “The Birth of a New Avant-garde: La Caméra-Stylo” from the article originally printed in “L'Écran française” as "Du Stylo à la caméra et de la caméra au stylo" A response paper for my Advanced Film Theory and Criticism class This 1948 essay by French film critic and film director Alexandre Astruc entitled “The Birth of a New Avant-garde: La Caméra-Stylo” reminded me of the wonders in the evolution of art and technology. It is natural to see