This is a response paper to a blog and book about Pauline Kael, a prolific writer and film critic with significant contributions to cinema, for my Advanced Film Theory and Criticism class.
This is a response paper to the essay “Against Interpretation” by Susan Sontag for my Advanced Film Theory and Criticism class.
On Mother’s Day 2019, I read an LA Times article shared via social media and it sums up the struggle of women, whether with our without children, have to contend with as members of the filmmaking workforce.
Some people tend to say, the best kind of work you can get is working with your passion and not treating your work as a job. Motherhood, a very fulfilling and miraculous experience one can have, is not a job and a mother doesn’t get paid for it in any of the world’s currency.
I couldn’t agree more when someone said that more woman filmmakers should be included in the syllabi of academicians, whether in major subjects of film students or any related media subjects and electives, especially those of mass communication and communication arts students. Academic papers, journals, books, and even blogs and vlogs that are easily accessible by everyone, should be able to find many female names to feature.
The bride-to-be can check out the special bachelorette party deals at The D Las Vegas for a fun night of drinks, dares, and debauchery celebrating her “final night of freedom.”