"The Legend of Zorro" tones down a bit by fronting the more human issues about family relationships in its storytelling, as compared to the visually purist, action-filled premise driving the storyline for such an action genre offering. Yet, this follow-up to “The Mask of Zorro” doesn't lose its own touch of valuable action and playful camera work. The pompous stunts, grand production design, and outstanding cinematography often keep the spectators' eyes nailed to what happens next. The film captures the audience right from
Something old reboots as a glorious new. Reinventing a classic sci-fi series is prone to becoming victimized by the blackhole of franchise re-openings, but what this new "Star Trek" presents is a flaring shine of a supernova from start to end. The plot may be preposterous, but the way the film is constructed provides a genuinely rollicking adventure - a fine escapist entertainment that has just validated the tagline, "Live long and prosper." From the first stunning visuals of a pre-Enterprise time
“Star Wars Episode III: Revenge of the Sith” serves as the final chapter to the culturally historical galactic empire saga from the real master behind the force George Lucas, along with his dedicated behind-the-scene heroes from the "Star Wars" of the 1970s and 1980s ("Star Wars Episode IV: A New Hope" in 1977, "Star Wars Episode V: The Empire Strikes Back" in 1980, and "Star Wars Episode VI: Return of the Jedi" in 1983) to the prequels produced two decades after ("Star Wars Episode I: The Phantom Menace" in 1999 and
"Beowulf" ambitiously blends CGI, motion-capture, and 3D technologies to bring a new level of hyperreality for the viewers to enjoy. Everybody knows, or at least, has already heard about the epic poem "Beowulf" in school, or perhaps, with the prior 2005 live-action offering "Beowulf and Grendel" starring Gerard Butler as Beowulf. This time, the Robert Zemeckis-helmed "Beowulf" utilizes the latest motion-control technology available to tell a tale approximately 1,400 years old in an astonishingly new way -- a sensory animation experience
"Pacific Rim" is epic action art for those who love robots and monsters. This monsterfest is a hybrid of just about every major cinematic genre. It showcases the grandest traditions in war, sci-fi, post-apocalyptic, alien, monster, and robot movies. Full of mechanized mayhem, it taps into that primal fondness of seeing two big things tearing each other apart. It may be a generic, familiar, and cliché-ridden piece with cardboard characters, but it still wins its target audience over through the visceral
"Rio 2" is a delightfully bright and breezy bit of computer-generated entertainment. As an acceptable family fare, this sequel maintains that blockbuster flavor that is expected of such an animated flick. It mostly hits the sweet spot when it comes to eye-popping visuals and feisty song-and-dance sequences. However, its predictable narrative plays too safe that it simply crafts nothing more than a fine commercial blend of heart-warming and toe-tapping moments for its target demographic. For this second installment in the "Rio"
This is a Disney hybrid superhero movie: "The Incredibles" meets "X-men" via "Harry Potter." If you think Hogwarts is the only secret school for extraordinary kids, well there's also the heroic children's world of "Sky High." This film is a hybrid superhero flick: "The Incredibles" meets the "X-Men" via "Harry Potter." It may be a Disney flick with a big celebration of superhero cliches; but it is entertaining enough for its target market. As a derivative, it never claims to be genuinely superior to its more successful blockbuster sources. Despite having a
This Tim Burton offering presents a morbid and romantic trip between the cold dwelling of the living and the colorful underground world of the dead. Behind its eerie theme, Tim Burton's "Corpse Bride" presents a morbid and romantic trip between the cold dwelling place of the living and the colorful underground realm of the dead. Fun, genial, expressive, and charming, this semi-musical stop-motion piece is set at death's door, saluting the liberating power of true love and sacrifice. The story revolves around
While it offers nothing new on the table, this third movie of the "Shrek" franchise compensates with its laid-back familiarity and comedy. The Shrek Franchise The best thing about the "Shrek" movies is that you are offered a patented comic blend of fairy tale tradition and pop-culture references. These recreate a comic flavor and moral implications for its wide commercial range of movie viewers. The franchise's main charm is its organic ability to mix fairy tale sweetness and pop-culture tradition with a
While it occasionally provides good laughs, this fourth "Shrek," like its main ogre, is confused and way beyond its prime. For its long-time followers, "Shrek Forever After" is passable entertainment. It is for those who grew up with the franchise and not the type that could easily add new toddler fans. In any case, the "Shrek" brand still works for the DVD and Blu-ray market with a potentially good spot for top home video sales charts. "Shrek Forever After" begins so mediocre.