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(Response Paper) Cinema and Ideology with Jean-Luc Comolli and Jean Narboni

In response to: The Jean-Luc Comolli and Jean Narboni essay “Cinema/Ideology/Criticism” from the journal “Screen” A response paper for my Advanced Film Theory and Criticism class This essay entitled “Cinema/Ideology/Criticism” by French writers Jean-Luc Comolli and Jean Narboni started with an introduction of the pioneering French film magazine Cahiers du Cinema, offering a general overview of its objectives, goals, and ideology. It also presented the perennial question “What is film?” and “What is cinema?” – questions that continue to linger around many

(Response Paper) Ideology, Reality, and the Apparatus Film Theory with Jean-Louis Baudry

In response to: The Jean-Louis Baudry essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema” from the Leo Braudy and Marshall Cohen book “Film Theory and Criticism: Introductory Readings” A response paper for my Advanced Film Theory and Criticism class In this essay “The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema,” French psychoanalytic film theorist Jean-Louis Baudry asserted that cinema is, by nature, ideological. This is because films are created to represent reality and the mechanics

(Response Paper) David Bordwell: The Blurred Line Separating Art Cinema with Classical Hollywood Cinema

In response to: The David Bordwell essay “The Art Cinema as a Mode of Film Practice” from the journal “Film Criticism” A response paper for my Advanced Film Theory and Criticism class In the essay “The Art Cinema as a Mode of Film Practice,” American film theorist and film historian David Bordwell primarily discussed how art cinema can be considered as a distinct mode of film practice by comparing it to classical narrative cinema (which can be traced to studio feature filmmaking in Hollywood since

(Response Paper) The Evolution of Cinema and the Film Language with Alexandre Astruc

In response to: The Alexandre Astruc essay “The Birth of a New Avant-garde: La Caméra-Stylo” from the article originally printed in “L'Écran française” as "Du Stylo à la caméra et de la caméra au stylo"  A response paper for my Advanced Film Theory and Criticism class This 1948 essay by French film critic and film director Alexandre Astruc entitled “The Birth of a New Avant-garde: La Caméra-Stylo” reminded me of the wonders in the evolution of art and technology. It is natural to see

(Response Paper) Film Semiotics in the Earlier Lens of Christian Metz

In response to: The chapter “Some Points in the Semiotics of the Cinema” from the book “Film Language: A Semiotics of the Cinema” by Christian Metz A response paper for my Advanced Film Theory and Criticism class Being not very much used to the way it approached its scientific methodology, particularly his semiotic approach to film studies, I found the chapter “Some Points in the Semiotics of the Cinema” from French film theorist Christian Metz’s seminal work “Film Language: A Semiotics of the

(Response Paper) Understanding Andrew Sarris’ Premises of the Auteur Theory

In response to: The Andrew Sarris essay “Notes on the Auteur Theory in 1962” from the book “Film Theory and Criticism: Introductory Readings” by Leo Braudy and Marshall Cohen A response paper for my Advanced Film Theory and Criticism class American film critic Andrew Sarris’ “Notes on the Auteur Theory in 1962” expressed the concerns about the auteur theory, particularly outside the insights coming from the French thinkers and the film magazine Cahiers du Cinema. Unlike Francois Truffaut in his essay “A Certain Tendency

An Epiphany: The issue on the Netflix film ‘Roma’ getting nominations at the Oscars

This decade is the Second Wave of the Digital Revolution in film and TV — It’s time to evolve. I read this post, alongside the many news reports about the 2019 Academy Awards lobbying for the qualification of the Alfonso Cuaron film “Roma,” being a Netflix film with minimal theatrical release: https://www.insidehook.com/article/movies/reality-bite-for-steven-spielberg-netflix-isnt-the-enemy-its-elitism Theory of evolution; survival of the fittest. My take, if you don’t evolve, you risk yourself of dying a natural death that may be way sooner than you expect. The issue

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