Here are updates to our animated film adaptation of the "Bernardo Carpio" lore.
History
Bernardo Carpio (Comics with augmented reality): Behind the scenes
‘RKO 281’ Film Review: A film about a film about a man
"RKO 281" offers a vividly compelling presentation of the troubled history behind Orson Welles and his magnum opus "Citizen Kane." This historical drama about the so-called “boy wonder” helming a film inspired by the life of a powerful man highlights the ego clashes and politics surrounding Hollywood. As a cinematic offering, it frames itself as a dramatically sound genesis of what is often described as “The Greatest American Film of All Time” through its amalgam of fictional recreations and historical accounts partly based
Pinay at Pelikula: A Webinar on the Roles of Women in Shaping Philippine Cinema Through the Decades
Filmmaker in Focus (FFF) presents filmmaker/educator Sari Lluch Dalena and film executive/producer Madonna Tarrayo with special guest scriptwriter Ricky Lee This free and open-to-the-public webinar is an advocacy project spearheaded of my FLMKSAY (History of Philippine Cinema) class at the De La Salle-College of Saint Benilde, School of Design and Arts. https://youtu.be/S_4aBdq5cBk
(Essay) Empowerment of Filipina Filmmakers Towards the Digital Revolution: From Silent Dominance to Breaking the Glass Ceiling?
An essay for my Media Theory class on the empowerment of Filipina filmmakers towards the Digital Revolution Digital filmmaking brought about a number of significant changes in both the artistic and business aspects of filmmaking. This coincides with the sustained increase in the number of Pinay filmmakers making their marks locally and internationally by the time of the digital revolution. In significantly making film production less expensive compared to producing films in celluloid, the digital revolution democratized the filmmaking process (Hernandez, 2014) –
(Media Review) The Accidental Catalyst: Examining Pressreader-aggregated Articles on How Disney’s Mulan Sparked Media Campaigns Addressing the Plight of Uighur Muslims
A media review for my Media Theory class analyzing the increased Uighur Muslims coverage after the release of the Disney live-action film "Mulan" After the straight-to-streaming release of Disney’s Mulan in the Disney+ platform in the U.S. and other selected countries on Sept. 4, 2020 (‘Mulan (2020)’ [IMDb], n.d.), this live-action adaptation of the Chinese legend came under fire after viewers discovered the acknowledgment of the government security agency in the Chinese province of Xinjiang in the film’s closing credits. Xinjiang authorities are accused of the
Film Theorists: Hugo Munsterberg
Bernardo Carpio Short Animated Film Call for Character Design
Sharing this from my fellow artists from Tuldok Animation Studios. This is our short film adaptation of the Bernardo Carpio story. We never thought that jumpstarting this animated short would have this personal impact to us involved in the project, given the entire world is currently at a halt. Suddenly, we realized how the lockdown and this story have something in common... The Bernardo Carpio Film Call for Character Design First, we hope you are coping up well in these trying times. As
(Response Paper) David Bordwell: The Blurred Line Separating Art Cinema with Classical Hollywood Cinema
In response to: The David Bordwell essay “The Art Cinema as a Mode of Film Practice” from the journal “Film Criticism” A response paper for my Advanced Film Theory and Criticism class In the essay “The Art Cinema as a Mode of Film Practice,” American film theorist and film historian David Bordwell primarily discussed how art cinema can be considered as a distinct mode of film practice by comparing it to classical narrative cinema (which can be traced to studio feature filmmaking in Hollywood since
(Response Paper) Laura Mulvey: The Women as Element of Spectacle in the Patriarchal Order
In response to: The Laura Mulvey essay “Visual Pleasure and Narrative Cinema” from the journal “Screen” A response paper for my Advanced Film Theory and Criticism class In the essay “Visual Pleasure and Narrative Cinema,” feminist film theorist Laura Mulvey objectively examined the roots of woman’s oppression in cinema using the socially established interpretation of sexual difference which controls images, including the erotic ways of looking at spectacle, as applied in films. She looked into the language of patriarchy using the tools provided by psychoanalysis, offering