Final paper for my Political Economy of Media class Given the changing nature of capitalism in this age of information and communications technology (ICT), Jonathan Hardy’s examination of the complexity of power dynamics and modalities of power and the influence of power on both Internet provision and on policy-making in his book “Critical Political Economy of the Media: An Introduction” became quite apparent in a number of critical events in the Philippines’ ICT sector, particularly those that ensued in the country’s
An essay for my Media Theory class on the empowerment of Filipina filmmakers towards the Digital Revolution Digital filmmaking brought about a number of significant changes in both the artistic and business aspects of filmmaking. This coincides with the sustained increase in the number of Pinay filmmakers making their marks locally and internationally by the time of the digital revolution. In significantly making film production less expensive compared to producing films in celluloid, the digital revolution democratized the filmmaking process (Hernandez, 2014) –
An essay for my Media Theory class using the lens of Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" The integration of various media platforms after discovering an oasis for economic surge through the Internet remains consistent with the theory of the culture industry of Max Horkheimer and Theodor Adorno. In The Culture Industry: Enlightenment as Mass Deception, their statement about how culture infects “everything with sameness” (Adorno & Horkheimer, 2012) continues to ring true in the age of the Internet.