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(Response Paper) Discourse in Art: Beyond Interpretation, Form, and Content

In response to: “Against Interpretation,” an essay by Susan Sontag A response paper for my Advanced Film Theory and Criticism class The way writer Susan Sontag used the word “interpretation” in this reading prompted me to dig deeper into the application of the word in film criticism and art as a whole. I would say I don’t agree with her when she said that art, especially at this time and age, should not be interpreted. She specifically raised how "commentary about art"

(Response Paper) Pauline Kael’s Journey to the Two Sides of the Spectrum

In response to: “Replying to Listeners” in the book "I Lost It at the Movies" by Pauline Kael and the blog post “Trash and Art: Critics on/of Pauline Kael” by Jim Emerson in the RogerEbert.com blog "Scanners with Jim Emerson" A response paper for my Advanced Film Theory and Criticism class Pauline Kael (1919 to 2001), is a household name in American film criticism, as well as a familiar name cited when looking for film books for academic use, as far as

(Response Paper) Besides Perfection: The Nooks and Cranny of Film Reviewing with Anthony Lane

In response to: The introduction of the book “Nobody’s Perfect: Writings from the New Yorker” by Anthony Lane A response paper for my Advanced Film Theory and Criticism class The introduction part of Anthony Lane’s book “Nobody’s Perfect: Writings from the New Yorker” was a nurturing read, while reminding me of how movies for spectacle’s sake work like junk food – indulging instead of nourishing. At the same time, in the ages of video games and social media, movies work like many

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