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(Response Paper) The Mythology of Roland Barthes: Studying the Semiological Nature of Myth

In response to: The section “Myth Today” from the book “Mythologies" by Roland Barthes A response paper for my Advanced Film Theory and Criticism class In reading French literary theorist, philosopher, critic, and semiotician Roland Barthes’ “Myth Today” from his book “Mythologies,” I found myself more open to the nature of cinema as a theoretical discussion. In presenting the groundwork for semiology and its relationship to myth, I got to the starting point of examining current forms of existence and revealing the ideological

(Response Paper) Film Semiotics in the Earlier Lens of Christian Metz

In response to: The chapter “Some Points in the Semiotics of the Cinema” from the book “Film Language: A Semiotics of the Cinema” by Christian Metz A response paper for my Advanced Film Theory and Criticism class Being not very much used to the way it approached its scientific methodology, particularly his semiotic approach to film studies, I found the chapter “Some Points in the Semiotics of the Cinema” from French film theorist Christian Metz’s seminal work “Film Language: A Semiotics of the

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