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(Response Paper) Film Semiotics in the Earlier Lens of Christian Metz

In response to: The chapter “Some Points in the Semiotics of the Cinema” from the book “Film Language: A Semiotics of the Cinema” by Christian Metz A response paper for my Advanced Film Theory and Criticism class Being not very much used to the way it approached its scientific methodology, particularly his semiotic approach to film studies, I found the chapter “Some Points in the Semiotics of the Cinema” from French film theorist Christian Metz’s seminal work “Film Language: A Semiotics of the

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