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(Response Paper) The Evolution of Cinema and the Film Language with Alexandre Astruc

In response to: The Alexandre Astruc essay “The Birth of a New Avant-garde: La Caméra-Stylo” from the article originally printed in “L'Écran française” as "Du Stylo à la caméra et de la caméra au stylo"  A response paper for my Advanced Film Theory and Criticism class This 1948 essay by French film critic and film director Alexandre Astruc entitled “The Birth of a New Avant-garde: La Caméra-Stylo” reminded me of the wonders in the evolution of art and technology. It is natural to see

(Response Paper) In Making Sense of This Particular Order: Film Reviewing – Film Criticism – Film Scholarship

In response to: The Manila Review article “Pinoy Film Criticism: A Lover’s Polemic” by Joel David A response paper for my Advanced Film Theory and Criticism class Film scholar Joel David presented key issues hounding the arrested development of Pinoy film criticism in this 2015 article entitled “Pinoy Film Criticism: A Lover’s Polemic,” published by The Manila Review. Early on in the reading, he addressed the separation between film scholarship and production – raising the issue where “specialists suffered from serious lack in

A Mother’s Day 2019 musing

Happy Mother’s Day! The fulfillment is indescribable regardless of all the challenges including those in a society that doesn’t fully understand, help, and support the importance of family, children, and parenthood. I just read this article via social media and it sums up the struggles that women, whether with or without children, have to contend with as members of the filmmaking workforce: https://www.latimes.com/entertainment/tv/la-ca-working-moms-hollywood-20190510-story.html I personally experienced having to disappear for 1.5 hour for an extended lunch in between a shoot to pump

After my 10-year hiatus on independent filmmaking, wrapping up post for my very first experimental film ‘Isthmus’

My first independent short film in 10 years is an experimental film for grad school. Almost ready for audio post 😀 This is going to be my most personal film to date and it feels great to work on something new (aside from going back to my roots) after working on mostly branded shorts during my indie hiatus. https://www.riannehillsoriano.com/films/isthmus/ #iska #indiefilm #shortfilm #independentfilm #experimentalfilm #gradschool #filmschool

An Epiphany: The issue on the Netflix film ‘Roma’ getting nominations at the Oscars

This decade is the Second Wave of the Digital Revolution in film and TV — It’s time to evolve. I read this post, alongside the many news reports about the 2019 Academy Awards lobbying for the qualification of the Alfonso Cuaron film “Roma,” being a Netflix film with minimal theatrical release: https://www.insidehook.com/article/movies/reality-bite-for-steven-spielberg-netflix-isnt-the-enemy-its-elitism Theory of evolution; survival of the fittest. My take, if you don’t evolve, you risk yourself of dying a natural death that may be way sooner than you expect. The issue

Film Forum Invitation: ‘CinePHlix’ with screenings of ‘Anino’ and ‘Birdshot’

My BenildeFilm FLMART2 (Philippine Cinema) classes are inviting everyone to this term’s Filmmaker Focus in Forum (FFF), a free, public event featuring the Cannes Palme D’Or-winning short film “Anino” by Raymond Red and the first Filipino feature film in Netflix“Birdshot” by Mikhail Red at the De La Salle-College of Saint Benilde School of Design and Arts (SDA) Cinema on Apr. 3, 2018. Screenings at 1 p.m., forum follows at 3:30 p.m. This event entitled “CinePHlix,” features a Q&A with the filmmakers and

Film Forum Invitation: ‘It’s More Fun in the PhiliFILMS’ with screening of ‘Sakaling Di Makarating’

We are inviting all film and tourism professionals, film students and film enthusiasts to our forum on film tourism this coming Monday, July 24, 2017,  1 p.m., at the SDA Cinema, School of Design and Arts (SDA) Building, De La Salle-College of Saint Benilde, along P. Ocampo Street in Malate, Manila. This free event entitled "It's More Fun in the PhiliFILMS" is open to the public. Guest speakers are filmmaker Ice Idanan and Film Development Council of the Philippines (FDCP) chairperson

Born Out of Love: Career and motherhood

I read this social media post: Motherhood Is Not a Woman's Most Important Job: It's more like an unpaid volunteer position you commit to for life My two cents here... Some people tend to say, the best kind of work you can get is working with your passion and not treating your work as a job. As mentioned in this article, motherhood, a very fulfilling and miraculous experience one can have, is not a job and a mother doesn’t get paid for

An Epiphany: Philippine cinema’s powerful Pinays + more female presence in film studies, books, and academic endeavors

I remember a press screening I attended, then film critic friend Philbert Ortiz-Dy made me realize one very interesting, one very important thing. It was a 360-degree turn on my impression of how women are in Philippine cinema and other media professions. Phil agreed on how gender equality should seriously be addressed in the U.S. Woman filmmakers and film workers, even the most famous actresses included, don't get equal treatment in Hollywood from opportunities to talent fees. Then, he told me that

Basic guide to making explosion effects for movies

Shooting a real explosion in full scale or even with the use of miniatures generally adds realism to a movie's special effects requirements. In the past, it is almost always necessary to create practical explosions to mount scenes showcasing blasts, bombings, fires, and other elements. However, the safety, environmental, and financial issues involved in making them often result in filmmakers having second thoughts on adding explosion shots in their movies. Now, film technology already makes it accessible and easy

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