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(Response Paper) Understanding Andrew Sarris’ Premises of the Auteur Theory

In response to: The Andrew Sarris essay “Notes on the Auteur Theory in 1962” from the book “Film Theory and Criticism: Introductory Readings” by Leo Braudy and Marshall Cohen A response paper for my Advanced Film Theory and Criticism class American film critic Andrew Sarris’ “Notes on the Auteur Theory in 1962” expressed the concerns about the auteur theory, particularly outside the insights coming from the French thinkers and the film magazine Cahiers du Cinema. Unlike Francois Truffaut in his essay “A Certain Tendency

An Epiphany: The issue on the Netflix film ‘Roma’ getting nominations at the Oscars

This decade is the Second Wave of the Digital Revolution in film and TV — It’s time to evolve. I read this post, alongside the many news reports about the 2019 Academy Awards lobbying for the qualification of the Alfonso Cuaron film “Roma,” being a Netflix film with minimal theatrical release: https://www.insidehook.com/article/movies/reality-bite-for-steven-spielberg-netflix-isnt-the-enemy-its-elitism Theory of evolution; survival of the fittest. My take, if you don’t evolve, you risk yourself of dying a natural death that may be way sooner than you expect. The issue

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