Aside from basic in-camera techniques like stop-motion shooting and time-lapse photography and old school special effects techniques like dolly-zoom, miniature, and rear and front projection effects, there are other techniques you can use during the shoot to create special effects shots. These options are now typically accessible not only to professional filmmakers but amateurs as well. Speed-ramping Effect Speed ramping refers to a long take involving any combination of the following: parts that move slowly, parts that move quickly,
This is a documentation filmed during the "Inside Out" Press Conference in Manila, Philippines with director Pete Docter and co-director Ronnie del Carmen. This video features the filmmakers' introduction to the "Inside Out" story development and Pete and Ronnie's working relationship at Pixar. These came from the unplanned handheld shots with the GoPro I apparently brought with me during the press conference invitation, and I guess the footage turned out fine and worth watching. Thanks to the awesome responses from these two
The Internet offers a number of accessible tutorials teaching you the technical side of computer animation. But even though online guides discussing the creative component of making an animation is not as plentiful as the technical tutorials available around cyberspace, this doesn't mean that you should overlook this crucial part of the production. Your storytelling should combine both the technical and creative aspects of filmmaking. If you're making a 2D animated movie, it is important to understand both the format's benefits
An animated movie requires frames drawn and played in sequence. Unlike a live-action movie, an animated movie uses a specific kind of animation process or a combination of processes to produce moving images. The animation can be fully drawn, painted or photographed frame by frame. Computer technology also paved way to the creation of animated films using computer programs such as Flash, Adobe After Effects, 3D Studio Max, and Maya. Many animation projects combine the use of hand-drawn and computer-based production of
"Rio 2" is a delightfully bright and breezy bit of computer-generated entertainment. As an acceptable family fare, this sequel maintains that blockbuster flavor that is expected of such an animated flick. It mostly hits the sweet spot when it comes to eye-popping visuals and feisty song-and-dance sequences. However, its predictable narrative plays too safe that it simply crafts nothing more than a fine commercial blend of heart-warming and toe-tapping moments for its target demographic. For this second installment in the "Rio"
The "Rio" Blu-ray release features a two-disc set consisting of a Blu-ray disc and DVD, along with some digital download materials. Aptly set in Rio de Janeiro, this 96-minute 3D animation is helmed by Brazilian director Carlos Saldanha, also the man behind "Robots" and the "Ice Age" films. The filmmaker shows love for his hometown with this movie project that showcases the fun and festive culture of the Brazilian city. Filled with dazzling imagery and contagiously fun music, "Rio" tells the
Filmmaker Tim Burton is widely known for his dark, quirky, and expressionist films. Early on, Tim Burton's exposure to classic horror movies reflected the kind of works he would eventually do as a Hollywood filmmaker. His early career was filled with luck and opportunities, but not necessarily inspiring and fulfilling ones for the young, promising artist. He hailed from Burbank, California, an area where many television and movie studios are located. He received a Disney scholarship to attend the California Institute of
As an art form, animation is just about a decade younger than motion picture film. Since then, it has evolved side by side with the many technological breakthroughs in filmmaking. Historical Developments It started with making actual drawings on the film stock to create visual effects beyond what can be offered in a realistic set, then there came traditional animation where images were hand-drawn frame-by-frame, and stop-motion animation where clay and other materials physically moved one frame at a time and are
While it occasionally provides good laughs, this fourth "Shrek," like its main ogre, is confused and way beyond its prime. For its long-time followers, "Shrek Forever After" is passable entertainment. It is for those who grew up with the franchise and not the type that could easily add new toddler fans. In any case, the "Shrek" brand still works for the DVD and Blu-ray market with a potentially good spot for top home video sales charts. "Shrek Forever After" begins so mediocre.
Teen music artist and Dep-Ed Ambassador for the Youth Sam Concepcion tries out for something big. A week after, he gets the major stint. This Filipino artist sings the theme song “Kung Fu Fighting” for Dreamworks’ animated film “Kung Fu Panda.” The Filipino audience will be privileged to hear Sam’s voice in the closing credits of the said animated feature. According to Sam, he is definitely honored for the opportunity – being another first for the Filipinos in the entertainment industry having