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‘Inside Out’ Film Review: Happy + Sad

“Inside Out” is a powerfully moving animated piece exploring the importance of emotions in people’s lives.

Daring to explore the existential crises of the human mind and the feelings affecting one’s life, this formidably ingenious film works similar to a thesis or research project. With a material that strikes as a reflection on the power of emotions, it targets the family audience, particularly those with ages ranging from pre-teen to adult.

Packaged as a motion picture set inside someone’s head and how the mind and the emotions work together, the story presents a strikingly endearing take on a young girl’s growing pains as she encounters wave after wave of personal and familial problems. While traversing the bumpy road ahead of her, she also finds herself struggling to come to terms with puberty.

The narrative revolves around Riley, a sweet girl from Minnesota who gets uprooted from her Midwest life after her family’s financial struggle leads them to San Francisco. With the loss of the comfort of her childhood home, the company of her dearest friends, and the camaraderie of her hockey team, turmoil ensues inside her mind’s “Headquarters,” the control center where her emotions Joy, Sadness, Fear, Disgust, and Anger live and help her through her everyday life. When Joy, her main and most important emotion, accidentally gets lost with Sadness, the arduous journey to get back to the Headquarters coincides with Riley’s progressing depressive state while navigating her new city.

The tale begins a bit too verbose for the youngest viewers, but the gorgeous imagery and colors often help keep most people’s eyes glued to the screen. This poignant entry to the Pixar catalog hits an elusive sweet spot with its fiercely sweet approach to animated filmmaking. In portraying both the intelligence and the fragility of a child’s mind, it encourages viewers to talk more openly about their feelings — although its theme’s complexity may be lost on the much younger viewers as it plays around the intricacies of human decisions, actions, and motivations and turns the unexplainable into a stuff of grand drama.

As an ambitious picture, its epic journey across a fantastic landscape delivers such an empathetic answer to the question “What is going on inside one’s head?” What remains consistent in the film is its impressive level of intellectual-emotional exploration. Ticking so many boxes without feeling contrived, the level of conceptual cleverness and visual design utilized in the story creates tender magic on the big screen. It challenges the viewers to dream, play around the profundity of the subconscious, and understand life’s highs and lows better. With its deeply thoughtful insights on how sadness is as much a part of life as joy, it suggests that true happiness doesn’t just involve the feeling of perpetual joy, but rather a balance of all emotions that make one human. It effectively hits the viewer by mapping the human mind to a much broader palette and putting the workings of the human psyche front and center.

This feature’s computer-generated pixels and keen attention to detail meet the challenge to surprise and delight. It offers thrilling audacity to its audience with how it dares to convert abstract elements into luminously beautiful and dynamic visuals. It handles its intricate material with striking balance through a satisfying presentation of humanity. Using its own madcap, non-preachy way, the dazzling wit of its storytelling becomes a means of answering the intangible aspects of human emotions and visiting one’s subconscious — without bordering on the too serious, goofy, or irreverent. The film’s colorful imagery and inventive situations offer an emotional roller-coaster ride to connect with the viewers and keep their attention.

More than its clear technical achievement, this candy-colored adventure offers a brilliant piece of writing that takes the idea of emotions to a whole new level. Crafty, playful, thought-provoking, and mood-moving all at once, both its humor and pathos promote the exploration of some of the most basic human emotions and how they work together to make people who they are. With jokes that are as funny as they are imaginative, it approaches the earnestly happy and the meaningfully sad by entertainingly penetrating the mind with bursts of imagination. It packs an emotional punch through tender wisdom and emotional punches. It also provides a nuanced yet elegant depiction of depression, as well as how interactions and memories affect human behavior.

This existential piece is an emotionally mature yet genuinely funny cinematic treat. Coming from a material that is very difficult to pull off, it maintains a believable humanity, while being intellectually engrossing and heartwarming at the same time. Interestingly, it succeeds where a lot of heavy, serious, and thematically complex live-action movies have failed.

As a brisk and effortlessly charming affair, it doesn’t just connect human emotions to people’s manner of processing ideas, it also turns them into engaging characters that wrap lessons in behavioral science into a visually dazzling head trip.

Bold, sweet, funny, and heartbreakingly sad in various scenes, this wonderful piece of family entertainment boasts a wealth of spectacular voice talents including Amy Poehler as Joy, Phyllis Smith as Sadness, Mindy Kaling as Disgust, Bill Hader as Fear, and Lewis Black as Anger. As an ensemble, they are able to combine simplicity with the extraordinary, as well as the daring with the sophisticated. Its marvelous mounting of the human mind makes its patrons feel like visiting a laboratory that is crossed with a rainbow.

A worthwhile way to spend cash while consuming emotions in cinematic form, this significant contribution to pop culture by the people behind Pixar is another outstanding addition to the studio’s impressive library. It offers a universality that makes it an instant classic. Its moving storytelling deeply touches through a fireworks display of fizzing ideas, as if it is designed to alternate on triggering the tear ducts and the facial muscles. It is easy to love this type of film when watching it for the first time, but it will prove even more enjoyable after repeated viewings.

Check Out These Video Interviews of “Inside Out” Directors Pete Docter and Ronnie del Carmen During the Film’s Manila Press Conference:
Rianne Hill Soriano
Rianne is a director, writer, educator, and consultant in film and commercial productions. From mainstream essentials to independent flair, she knows the drill in making entertaining and well-meaning productions. She can lead a pack passionate about extreme action and technological edge; she can breathe an endearing and sentimental style for a team with a sweet disposition.

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