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Bernardo Carpio (Animated Short Film and Comics with Augmented Reality) Behind-the-scene Video

https://youtu.be/t_a9jAvq0ew https://youtu.be/t_a9jAvq0ew More information at: Tuldok Animation: Bernardo Carpio website

Experimental short film ‘Malikmata’ joins Gawad Alternatibo 2021

After my experimental short film "Isthmus" screening at the Gawad Alternatibo 2019, my latest experimental short screens at the Gawad Alternatibo 2021. You can check out the film online at the Gawad Alternatibo under the Experimental Category. The festival coincides with the Cinemalaya Philippine Independent Film Festival this August. Gawad Alternatibo is slated from Aug. 6 to Sept. 4, 2021 Click here to watch the film during this schedule: gawadalternatibo.org/?p=456 Here is the film's trailer: To know more about the film, check out

‘RKO 281’ Film Review: A film about a film about a man

"RKO 281" offers a vividly compelling presentation of the troubled history behind Orson Welles and his magnum opus "Citizen Kane." This historical drama about the so-called “boy wonder” helming a film inspired by the life of a powerful man highlights the ego clashes and politics surrounding Hollywood. As a cinematic offering, it frames itself as a dramatically sound genesis of what is often described as “The Greatest American Film of All Time” through its amalgam of fictional recreations and historical accounts partly based

Pinay at Pelikula: A Webinar on the Roles of Women in Shaping Philippine Cinema Through the Decades

Filmmaker in Focus (FFF) presents filmmaker/educator Sari Lluch Dalena and film executive/producer Madonna Tarrayo with special guest scriptwriter Ricky Lee This free and open-to-the-public webinar is an advocacy project spearheaded of my FLMKSAY (History of Philippine Cinema) class at the De La Salle-College of Saint Benilde, School of Design and Arts. https://youtu.be/S_4aBdq5cBk

Twist of Fate: A Webinar on Filmmakers with Different Career Paths Before Entering the Film Industry

Filmmaker in Focus (FFF) presents filmmakers Monster Jimenez, Jerrold Tarog, Dan Villegas, and Carl Chavez. This free and open-to-the-public webinar is an advocacy project spearheaded of my FLMKSAY (History of Philippine Cinema) class at the De La Salle-College of Saint Benilde, School of Design and Arts. https://youtu.be/cj0aP31eAxs Full video of the webinar https://youtu.be/cbOblIYavQs 19-minute edited version of the webinar https://youtu.be/ryyr0SbrZ-M 6-minute edited version of the webinar

Invitation to a Free Public Master Lecture via Zoom

I am inviting you to my BenildeFilm Talks Masterclass Lecture "Platforms for Content Creators During the Pandemic and Beyond" on March 5, 2021, Friday, 1 to 2:30 p.m. This is sponsored by the Film Department of De La Salle-College of Saint Benilde, School of Design and Arts. Zoom Event Details: Join Zoom Meetinghttps://us02web.zoom.us/j/6838434051?pwd=eVM5dW1qUWQ2ZGwxaHRLUkRJUXEwQT09&fbclid=IwAR3u44eeKfUmu76P5vI1ZK-ZkSgjHggIc09XjjLwYPBobMRjycZ6wIB0pVY#success Meeting ID: 683 843 4051Passcode: JoeyR https://youtu.be/RuY80lMX2BQ This is an EXMOPIC-accredited webinar for BenildeFilm students.Only first 100 Zoom participants will be accommodated, but the livestream will be available at the BenildeFilm Facebook page

(Essay) Empowerment of Filipina Filmmakers Towards the Digital Revolution: From Silent Dominance to Breaking the Glass Ceiling?

An essay for my Media Theory class on the empowerment of Filipina filmmakers towards the Digital Revolution Digital filmmaking brought about a number of significant changes in both the artistic and business aspects of filmmaking. This coincides with the sustained increase in the number of Pinay filmmakers making their marks locally and internationally by the time of the digital revolution. In significantly making film production less expensive compared to producing films in celluloid, the digital revolution democratized the filmmaking process (Hernandez, 2014) –

Worksheet on ‘The Work of Art in the Age of Mechanical Reproduction’ by Walter Benjamin

Worksheet Instruction: Answer the following questions; discuss in two sentences each. A worksheet for my Media Theory class for the lecture on Ideology as Instrumental Rationality and the Walter Benjamin essay "The Work of Art in the Age of Mechanical Reproduction" 1.      Why does aura wither in the age of mechanical reproduction? (p. 21) Aura withers in the age of mechanical reproduction because when an original gets reproduced, “the copies become detached to the domain of tradition.” By making many reproductions of the original, the process leads to

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