My first independent short film in 10 years is an experimental film for grad school. This is going to be my most personal film to date and it feels great to work on something new (aside from going back to my roots) after working on mostly branded shorts during my indie hiatus.
I couldn’t agree more when someone said that more woman filmmakers should be included in the syllabi of academicians, whether in major subjects of film students or any related media subjects and electives, especially those of mass communication and communication arts students. Academic papers, journals, books, and even blogs and vlogs that are easily accessible by everyone, should be able to find many female names to feature. These initiatives will further help level the playing field for anyone — to the point when gender issues as we know them would simply become a thing of the past in the Philippine film industry.
"Ang Larawan, The Movie" is a film for Filipinos -- something to treasure for its artistic and cultural initiative of pioneering the musical film adapted from the work of an acclaimed Filipino literary artist, no less than a National Artist at that. Kudos to all those behind this ambitious cinematic endeavor, as the film, with both its strengths and forgiveable shortcomings, reflects the love and passion of the people who worked on it from start to end. This period piece may not be your usual Hollywood flair full of superhero characters, cool stunts, and uber awesome special effects, but it is
“Batanes” is essentially a heartwarming study of a relationship between two cultures. With the tagline “Love knows no borders,” this flawed but poignant love story explores life and love between different places and cultures. It explores the loss of one’s will to live because of a love lost, as well as the discovery of new love at an unexpected time.